Repose

Guerilla Magazine Features Laura Hale's installation at FIELDWORK

FIELDWORK 2013 - LAURA HALE - REPOSE - GUERILLA MAGAZINE ARTICLE

(Photo by Alexandre Lauzon)

Super article by Tony Martins in the current Issue #36 of Guerilla Magazine (just out today) on Laura Hale's installation 'Repose' at FIELDWORK this year.

Thanks Tony Martins and photographer Alexandre Lauzon!

If you haven't seen this magazine before check it out!
Here's the link:
http://www.getguerilla.ca/index.php/issue-36-feature-2-laura-hale

Details from Laura Hale's Installation 'Repose'

FIELDWORK 2013 - LAURA HALE - REPOSE
FIELDWORK 2013 - LAURA HALE - REPOSE

Some beautiful details of Laura Hale's installation at FIELDWORK this year.  As time passes the tents will be 'going back to the land' - fading and slowly devolving.

Laura Hale - Thoughts About 'Repose' - A Series of Three Pup Tents

FIELDWORK 2013 - LAURA HALE - REPOSE

I arrived at FIELDWORK not knowing exactly what I was going to create for my installation. I did know I wanted it to be a site-specific, ephemeral artwork that responded to the local landscape, that it would evolve back into the environment with time and that I would use objects directly from the FIELDWORK landscape. I also arrived with the idea to use the pup tent structure as a starting point but I did not know what materials I would find to use in the creation of my artwork. The site and landscape would inform the material content of my work.

I had one week to finish my piece so time was a factor. I spent the first day walking the entire FIELDWORK area to get a sense of the landscape and what grew there. I was looking for multiples, patterns, textures and materials that I could work with and manipulate and also items that interested and inspired me. I explored, took photos and gathered items. I spent my second day exploring the collected items, altering, testing and manipulating them to see how they would react once removed from their environment. What would they look like when dried and shriveled? How much time did I have to work with them before they shriveled up? Did I have to keep them wet to work with them? There was not a lot of time for research and development and not a lot of room for altering my plans once the commitment was made of the choice of materials.

The materials I ended up using in my three pup tents were:
#1. Willow and dead leaves (Beech, Oak and Maple)
#2. Horse tail and Maple keys
#3. Birch bark and Pine bows

The pup tent structures and assemblage of materials onto the structures was done inside the barn studio then the completed pieces were transported across the road to the FIELDWORK site. When I got them outside and on site the scale of the pieces totally changed.  Susie helped me on the placement of the three pieces and suggested different orientations and configurations. We tucked them in under a beautiful pine tree, which gave them a sense of belonging, purpose and scale.

It is also important to me that there is some sort of public interaction with my artwork. Repose invites interaction by its very shape, a tent. I hope the viewer will intuitively feel the impulse to enter the shelter; a classic structure and shape that evokes memories of childhood couch cushion forts and backyard overnight camping adventures. I am anticipating that people will spontaneously want to enter the pup tent and interact with it, bending down and entering it, crawling through or spending some time relaxing in it. The experience of the pieces is extremely different from the outside than from the inside. The viewer will recognize the natural materials used in the creation of each of the artworks as familiar, from the surrounding landscape, but experience these familiar materials and foliage in a new way by the manipulation of its form.

Land art is my preferred type of art to create. I love the exploration and discovery of landscape and the challenge of collaborating with the found materials to create a new form. I am also excited about witnessing and documenting the evolution and change of the materials in unexpected and uncontrollable ways and the idea that the work will return to the landscape that it came from. Thank you Susie Osler and FIELDWORK for this amazing place.

- Laura Hale

TO VIEW MORE PHOTOS OF THIS INSTALLATION GO TO HER PHOTO GALLERY IN THE MENU TO THE RIGHT UNDER 'SPRING/SUMMER 2013'

More of Laura's work can be found on her website

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